If you're wondering whether I went to literature school or
if I ever dreamed of being a writer, the answer is no.
All I remember is that I loved to read. I spent my time reading romance novels.
Then my second brother suggested I read other genres to open my mind. He
introduced me to science fiction (Pierre Bordage). After that, my third brother
introduced me to novels about Egypt (Christian Jacq). Then I grew interested in
books about music and spirituality.
I've always felt that life taught me through all that reading.
Then my friends started asking me if I’d ever considered writing a book. Most
of them said I was good at telling stories—and that I told them with a lot of
humor. I’d reply that being a good storyteller with a sense of humor wasn’t
enough to write a book. I found all sorts of excuses not to write.
Then one day, my husband brought up writing a book. He was a translator. He
missed writing. I have to admit, he wrote beautiful texts. I don’t know why,
but that day, it felt like he was speaking directly to me. So I picked up the
pen.
It was a game, just a game. I wanted to see what would come out. And I confess,
I was the first one surprised. I didn’t think I knew how—or could—write. I
loved what emerged.
That experience was the most beautiful of my life: euphoria, contentment,
wonder, joy, happiness—all at once for nine months. I discovered I had a
talent.
I think writing felt so good because I didn’t impose restrictions on myself,
like "writing must be like this" or "a book has to be like that."
I wanted something that felt like me—different, funny, and accessible.
I can’t really say why, but of everything I’d ever read, it was the author of
Conversations with God who caught my eye. The idea of a dialogue book came to
me. I wanted a book that felt alive
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